The Tortured Poets Department proves that in the throughline of Taylor Swift’s many artistic eras is a commitment to exploration and a love of autobiographical lyricism. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift’s work. Country songs like “cowboy like me” and “no body, no crime” reaches back to Swift’s earlier work in narrative building, seamlessly crafting a three-party story with ease.
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- Yes, Rihanna has won multiple awards, including several Grammy Awards and MTV awards for her outstanding contributions to music.
- And “Haunted,” a poetic lament to unrequited love (“Rose perfume, low-lit room/ I’ll pretend you’ll stay forever”) soundtracked by shuffling bossa nova beats and sultry strings, casts its most potent musical spell.
- She has sold over 60 million albums worldwide, landed 14 Billboard Hot 100 chart-toppers, and won nine GRAMMY Awards.
- In September 2012, the music video for “We Found Love” won Video of the Year at the MTV Video Music Awards, making Rihanna the first woman to receive the honour more than once.
- On Talk That Talk (2011), Rihanna expanded on her dance-pop style while adopting a more overtly sexual persona and incorporating elements of R&B, hip-hop, dancehall, and dubstep.
- “The Fate of Ophelia” might be Swift’s best lead single since “Mine” in 2010, thanks to its infectious beat and memorable chorus.
Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider. Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school. In a genre dominated by men, the odds were already stacked against Swift when she first broke into country music as a teenage female artist.
And Eminem that appeared on albums of theirs; many felt her vocals on the latter’s “Love the Way You Lie” (2010) lent resonance to the song’s depiction of an abusive relationship. With the assistance of such high-profile collaborators as Timbaland and Justin Timberlake, she abandoned the tropical rhythms that had adorned her first two albums and recorded a collection of sleek R&B that presented her as a fiercely independent and rebellious woman. He helped Fenty record a demo that led to an audition with the rapper Jay-Z, who at the time headed the Def Jam record label, and he soon signed the budding vocalist. Rihanna exclusively uses her surname for ventures outside of music to keep her business and artistic identities separate. In November 2015, Rihanna partnered with Benoit Demouy to launch Fr8me, a Los Angeles-based beauty and stylist agency supporting artists with commercial bookings, photo shoots, campaigns, and red-carpet appearances. In March 2015, Rihanna was announced as a co-owner of the music streaming platform Tidal, alongside several other artists.
An interpolation of Toots and the Maytals’ 1966 song of the same name, Sister Nancy’s in-studio freestyle was laid over sparse rub-a-dub production, allowing her declaration of ambition and skill to ring loud and clear. In addition to her status as a rare female voice in a sea of male performers at the dawn of dancehall, Sister Nancy is recognized for her influential, highly sampled single “Bam Bam.” While Sister Nancy needn’t be reminded of her influence — “I’m the woman who created dancehall … on the mic system, around the sound system. I’m the one who did all of that, first” — the past 15 years have seen the artist receive her flowers on a global stage. “I will never be your ordinary thing. When you come to see me, it doesn’t matter the time or the space, it’s always going to be good.” “People love what I stand for. I always give the audience something they can think about,” Sister Nancy tells GRAMMY.com, Zooming in from a car in Midtown Manhattan.
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Her ability to captivate audiences across both music and film realms underscores her dynamic artistry and continued relevance in the entertainment industry. Her involvement in these projects demonstrated her ability to transition from pop music icon to a prominent figure in film. Her debut album, “Music of the Sun,” released in 2005, marked the beginning of her remarkable career, selling over two million copies worldwide. At the age of 15, she formed a girl group with school friends, which paved the way for her discovery by music producer Evan Rogers. With her distinct voice, groundbreaking style, and philanthropic contributions, Rihanna continues to leave an indelible mark on both the music industry and popular culture. Transitioning from a teen pop sensation to a mature artist, Rihanna’s work reflects her evolving artistic vision.
Videography and stage
In contrast to the fairytale motifs and happy endings of Fearless, evermore saw Swift become fixated on “unhappy” endings — stories of failed marriages (“happiness”), lifeless relationships (“tolerate it”), and one-time flings (“’tis the damn season”). Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn’t have distinct “eras” between albums. It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. At the 2021 GRAMMYs, folklore took home Album Of The Year, making her the fourth artist in history to win three times in the Category. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. Lover became Swift’s sixth No. 1 album in America, making her the first female artist to achieve the feat.
Everything that happened after the success of Fearless pushed Swift from country music’s best-kept secret to a mainstream star. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come. It won Swift’s first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20.
And in true Swiftian fashion, turning into a pop artist didn’t just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience “intense love, intense frustration, jealousy and confusion” — all feelings that she’d describe as “red.”
- This made her the artist with the most digital single awards and the first performer to exceed RIAA’s 100 million cumulative singles certification threshold.
- Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart.
- Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon.
- Currently certified sextuple Platinum, ANTI also remains the longest-charting album by a Black female artist on the Billboard 200, with more than 508 weeks and counting.
- As Swift revealed on May 30, she bought back the master recordings of her first six albums, marking the first time she’s been in control of her entire discography.
- In March, Rihanna and Brown released two remixes—her track “Birthday Cake” and his “Turn Up the Music”—which were criticized due to their history of domestic violence.
Her debut album, “Music of the Sun,” further solidified her presence, selling over two million copies worldwide and setting the stage for her meteoric rise in the years to come. Jay-Z was immediately captivated, signing her on the spot and launching her career in the music industry. Her journey from a small island to the bustling music scene of America marked the beginning of her transformational career. Relocating from her home in Barbados to Connecticut, she stayed with music producer Evan Rogers and his wife.
“And it turns out that’s not the case at all … and we just were catching lightning in a bottle with this record.” “I used to kind of have this dark fear that if I ever were truly happy and free being myself and nurtured by a relationship, what happens if the writing just dries up? What if writing is directly tied to my torment and pain?” she said ahead of the album’s release. “Wood” is Swift taking cues from fellow showgirl Carpenter, winking at listeners as she weaves as many innuendos about the word as possible. “The Fate of Ophelia” might be Swift’s best lead single since “Mine” in 2010, thanks to its infectious beat and memorable chorus.
Early Life
No matter what genre Rihanna touches or what artist she links up with, she brings her full self to each session whilst completely immersing herself into the music — taking on different personas to make the collab well worth it. Amid smash collabs, Rihanna and Coldplay’s intricate “Princess of China” number gets lost in the shuffle, but it speaks to her charm as it’s the band’s first album (2011’s Mylo Xyloto) to feature another artist. The one-off single is so quintessentially Rihanna that it notably kicked off her Super Bowl halftime show.
Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.
To celebrate Taylor Swift’s newest era with The Life of a Showgirl, GRAMMY.com looks back on all of her albums (Taylor’s Versions not included) and how each era shaped her remarkable career. Swift has become one of music’s most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk, and beyond. Oh, and she’s also won 14 GRAMMY Awards, including four for Album Of The Year — the most ever won by an artist. Upon the arrival of Taylor Swift’s ‘The Life of a Showgirl,’ take a deep dive into her discography and see how each album helped her become the genre-shifting superstar she is today. And “Haunted,” a poetic lament to unrequited love (“Rose perfume, low-lit room/ I’ll pretend you’ll stay forever”) soundtracked by shuffling bossa nova beats and sultry strings, casts its most potent musical spell.
Gleefully playing the witch doctor, prolific singer/bassist Esperanza Spalding individually released every song (and an accompanying video) from her seventh album across 11 days before serving up its cauldron of genre-hopping sounds in full. (Rih recorded an equally moving sequel for her Loud album.) Three years later, the two confronted their inner demons in “The Monster,” and their musical chemistry scored a GRAMMY in 2015 for Best Rap/Sung Collaboration. Final single “Te Amo” didn’t chart, but garnered a great deal of attention as the Latin-infused Stargate production depicts Rihanna being enticed by a female love interest. It also marked Rihanna’s first time veering away from her “girl next door” image, as the song’s subject matter deals with infidelity. Follow-up single “If It’s Lovin’ That You Want” stalled at No. 36 on the Hot 100, but still whetted fans’ appetite — as did her debut album, Music of the Sun, which is mostly comprised of dance-pop and dancehall tracks with hints of R&B (like “Willing to Wait”). Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit “Pon de Replay.” The demo found its way into Jay-Z’s hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.
She first gained prominence in 2005 with betista casino her debut album “Music of the Sun,” which quickly established her as a force in the music industry. Known for her unique style and chart-topping hits, she has influenced music and fashion worldwide. She told Winfrey that Brown may have been the love of her life and she has developed “a very close friendship” with him. The pair worked together on the song “Birthday Cake,” released that year.
Swift also found a new sense of creativity within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of “Blank Space” and “Look What You Made Me Do.” Leaning into Lover being a “love letter to love,” Swift explored every aspect of it. After finding love amongst chaos with reputation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover. With time, though, it became clear that the response to reputation became muddled with the public’s overall perception of her at the time — some even claimed that Swift was ahead of her time with the album’s overall sound. Although Swift said that the album has its vindictive moments — even declaring that the “old Taylor” is dead on the bridge of “Look What You Made Me Do” — it’s a vulnerable record for her. Following the release of 1989, Swift became a cultural juggernaut, and the album has had an omnipresence in music since. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn’t falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.
Many of her music videos were shot as short films exploring issues such as love triangles, abuse and substance abuse romance, including “We Found Love” and “Man Down”. The album’s lead single, “Diamonds”, topped the US Billboard Hot 100, becoming Rihanna’s twelfth number-one song on the chart. A synth-pop record with EDM and hip-hop elements, Unapologetic debuted at number one on the Billboard 200 with first-week sales of 238,000 copies, becoming Rihanna’s first chart-topping album in the US. Rihanna is one of the best-selling music artists of all time, with estimated sales of over 250 million records. “She continued to make incredible art and so this is a love song kind of through the lens of the motif of what she had to go through in her life and sort of the parallels that I feel in my own life.”
“Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful. Many of the love songs on Swift’s more recent albums are brimming with anxiety, from Lover’s “Cornelia Street” (“I hope I never lose you, hope it never ends”) to folklore’s “Peace” (“The rain is always gonna come if you’re standing with me”). One of the biggest takes by critics — that borderlines on sexist at times — is that Swift won’t be able to write good, reflective music that cuts deep like the songs that orbit around heartache and pain.
Rihanna has delivered pop hit after pop hit since bursting onto the music scene in the mid-2000s. The album’s lead single, “Work,” featuring rapper Drake, spent nine weeks at No. 1 and earned two Grammy nominations. In January 2016, Rihanna released her eighth album, Anti, allowing Jay-Z’s online streaming site Tidal to exclusively feature the collection of tracks for a week. The album included “We Found Love,” a track with DJ Calvin Harris that won the 2013 Grammy Award for best short-form music video. Less than a year later, when Rihanna was only 16 years old, she left Barbados to move in with Rogers and his wife in Connecticut and work on recording a demo album.